I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. If you want to add another tone to your board, look for pedals that will complement the tones you already have. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . You can be a rowdy rocker again, and honestly, that alone is worth the price of admission for this pedal stacking combo. The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. / , , . If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. They are both rare and very expensive, selling for upwards of $3100/2500 on sites like Reverb. The Tim is a honking big piece of pedal metal. JavaScript is disabled. The Friedman BE-OD overdrive pedal puts the intense tone of their BE100 amplifier onto your pedalboard. Some of the add-ons on this site are powered by. The combo works really well in a wide variety of rigs, and the blend of tones results in a delicious stew that is equal parts sweet, thick, richly detailed, and dynamically crunchy (if that makes any sense). Oops, looks like you forgot something. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. Now, this one is really cool, and in some cases, it's a non-negotiable. Start low, and then add gain listen to how the EQ and the compression shifts. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. You are using an out of date browser. Learn More. Oops, looks like you forgot something. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. You don't want to get all crazy and wash it out. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Know What You Have, Decide What You Need Next. Here are 5 tips to understand as you begin to stack pedals: Trust your ears. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. Basically, that means the bass, mid, and treble are even across the board (also called transparent overdrive), so it makes your guitar a bit more broken up without coloring the actual sound. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. As you can see, just a few pedals can cover a ton of ground. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. Clavey paddle sports petaluma blvd s petaluma ca. And before you ask, no, were not defeating the Huns. You are using an out of date browser. Actually, the old timmy's sound a little different than the tims. Even in the simplest rigs, there are a lot of considerations. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. Since you already get a lot of the mids with this set up, turn the drive down low. Its just music. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. Is there any better bang for the buck in a new guitar than this. Your purchases help youth music programs get the gear they need to make music. A setting that works well on its own might not be the best setting when stacked. Do your homework before buying. That's what I'm sharing. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. It has some great stacking possibilities. I hate it as a clean boost. In a head to head comparison, tonally, they are almost identical. There are a lot of different ways to do it, so experimentation is encouraged. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. Transparent drives are great for adding gain or boost to a sound you dont want to alter, like a second channel or gain stage. I don't care that the circuits are different, the end result is nearly the same. When I stack, I don't like to stack the same pedal- too much of the same frequencies. Bummer, Tumnus into OCD is one of my absolute favorite combos because of how versatile it is. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Currency: It may not display this or other websites correctly. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. It's super glitchy and really fun. So what do you guys think? Is it a good thing? If so, youve officially stacked its that easy. EUR Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . More volume and it will produce more gain and different reactions from the other od's. Tuffi wuppertal wikipedia deutsch. Kino treebud 24F HSH Ash Trans Black. Despite its size, it's pretty damn versatile, thanks to three clipping options. Thank you for your request. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. Today, were putting together some truly great pedal stacking combinations. The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. This way, the drives will not conflict with one another. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. Basically, you take two delay pedals and you sync them together. It tastes like heaven. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. See signal flow here in attached PNG. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. and don't attack me asshole, I'm asking about what I've been told. If you try this, you'll be really, really surprised. Luxe bidet neo 120. Thanks for sharing your experiences, I just got my copy of the RYRA Klone, excited to find the sweet spot! I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Match the volume control so the level is the same when the pedal is engaged/disengaged. A guitar player buddy of mine stacks his Klone, a Bluesbreaker clone and a Rat to good effect. The Caverns by Robert Keely has a modulating reverb setting and a delay. I stack OD's all the time. 2,520. Will keep the Katana though. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Mooer's Blues Crab should be a solid budget option. Gives you multiple options. I have no idea. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. This topic is now archived and is closed to further replies. Trust me. seems like an odd combo. JavaScript is disabled. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. These are just things that I stumbled into, things that I was inspired to do by artists that I love. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. I haven't had much luck with Klones and stacking with other dirt pedals. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. Maybe you will. Guys like the Edge and U2 have done stuff like this for years. JavaScript is disabled. Okay, lets get down to business. Special Fender strap locks for your strap certificate and candy. . 1995-2022 Harmony Central, Inc. All rights reserved. Thanks! Someone needs to reverse engineer that bad boy. Beautiful. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. This is a lower rent district than some gear forums. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. So you can use a Tube Screamer, but I personally use a Klon Centaur when Im jamming at my office. For instance, lets say that youre playing with a clean amp and have a pedalboard whose dirt section includes a Tonebender fuzz, a Fuzz Face, a Supro-like overdrive like a Bearfoot Honey Beest or a Greer Ghetto Stomp, and a Marshall-in-a-box distortion like the ZVex Box of Rock. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. Does the low end shift noticeably? Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. Item location: Tacoma, Washington, United States. Gite d'etape communal le monastier sur gazeille. The BOSS RV-5 is a really, really great option here; it's on so many albums and so many great players still use this. Finding the optimum gain staging between pedals is important. All drive pedals have an inherent sound and EQ curve. You have all kinds of builders doing that nowadays. To be heard. This next one has been around for a while, since before people even started stacking pedals. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. They work, sure, but they simply dont sound as good stacked as they do alone. When you combine two boost pedals, in a sense it does the same thing, but you get infinite tweakability. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. call paul and bill and tell them BOTH that line of bull{censored} above. Both the pedals I used in the demo have tap tempo, which I feel is necessary because it lets me chain these together. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). Running a Blues Breaker into a Klon is a fairly well-known tone recipe these days, with John Mayer being perhaps the most famous proponent of this setup. Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! and our Do the same with the Volume control while adjusting the Gain to different settings. https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. Theres one at my local GC for $50. Strat Talk is the leading online community and marketplace for Stratocaster guitars. Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. I use a JHS Morning Glory V4 but you've got options. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. The last pedal in the stack has the biggest influence on the overall tone. You let one run quarter notes, and the one after it runs dotted eighth notes. When I want to go into Metal mode, I use the Timmy with my Friedman BE-OD. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. A Sweetwater Sales Engineer will get back to you shortly. Route 66. So mess with the knobs. Some pedals are great at specific jobs. Mohammad akhter md. It's honestly a modern staple; this thing is on a ton of boards for a reason. If the OCD is bassy, two gives you bass on top of bass. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . Responsive controls let you dial in a wide. (Image credit: Future) For a better experience, please enable JavaScript in your browser before proceeding. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish Two different drive flavors in one enclosure. Posts: 8,543. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. . Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. However, the concept can work with a dirty amp too. You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. It does not nail the klon nor is it suppose to. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. So, just like the amp, the reverb is before the tremolo. Timmy. You can turn off the overdrive and turn on your Marshall-in-a-box for instant Mick Ronson. Here is a short list to provide a starting point for stacking drive pedals. Some pedals sound better turned up or driving your amp harder. So, the Big Muff doesn't have any mid frequency peak at all. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. Check those out. They know right from wrong!. Myself? When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. When dialed in correctly, this can be four distinct sounds: clean, dirty, heavy, or saturated. Blonde & Brown Z's sound best!! Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. You will be surprised by how much your tone is altered by each small change. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. You can turn the middle Nam to the middle and is a total fender Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. Knowing what that curve is will help you know how and where to stack a pedal. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. Of course, those who want this tone need not shell out the absurd amount of money necessary to procure an actual Klon Centaur, as there are tons of excellent and affordable "Klones" that will do the job very capably, including Electro-Harmonix's very tasty (and very economical) Soul Food. ZVex actually has to have this in one case for this reason. I mostly play indie, punk, classic rock, pop, blues. I typically like to keep each pedal's volume around unity (perhaps slightly higher on the Tube Screamer), with gain at about noon on the RAT, and at about 9 or 10 o'clock on the Screamer. The DOD boost is used by itself for a clean solo sound. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. Boom. Being music makers ourselves, we love geeking out on all things gear. well theres ONE of you saying that they are 'tonaly' the same and about 5 of us saying that they are made to do somewhat similar things but they are not compairable in anyway. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. One option is to set them up to be multiple gain stages. They boost other effects and add a nice thing to the pick attack and note bloom when they are first. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. It's awesome for clean tones. It really pushes other drive pedals nicely - I'm using the Timmy to push a Catlinbread DLS [ set in Supe Bassman Mode ]. You just made a DIY overdrive. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. Made-Man. 2. Kaeri presidential polls. Privacy Policy. For a better experience, please enable JavaScript in your browser before proceeding. The Eventide H9 is another option that I actually have on my personal board. You must log in or register to reply here. It is a very nice boost which you can then dial in the amount of grit you want. My favorite stack with a Klon circuit is the Blues Breaker circuit. If you want to add another tone to your board, look for pedals that will complement the tones you already have. The trick with this setup is to keep the output of the Power Boost set modestly, to avoid excess saturation, and play through a big, clean amp with lots of headroom. That's what you need to try. I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. This website uses cookies to improve your experience. Stacking dimed drives often results in tubby, indistinct tone. Whew! It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. ^ what he said. Germany, Im returning my ocd and picking up a Tumnus deluxe to replace it. Although I'd admit I owned the TIM (not the Timmy). Terry B Humble student of the blues . Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. You must log in or register to reply here. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. I bet you thought I was just going to talk about dirt pedals the whole time, didn't you? So to fix that problem, you need to add a Tube Screamer. We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. You don't need any more distortion. How are you using them? **Dont knock it till you try it. It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. Sep 2, 2016. TC Electronic Spark Booster (has Gain option). The MXR Timmy has more dynamic presence than your regular overdrive. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. If that makes zero sense (which is reasonable), feel free to watch my JHS Show episode on this topic to listen to this demo around minute 14. This has gobs of delay options. Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? If you want to see the reason this is cool, turn the drive knob up. Turn your old gear into new gear with the Sweetwater Gear Exchange! Listen to the EQ differences in the two sounds. CSP027 TIMMY OVER DRIVE. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? The list of variables goes on and on. You are using an out of date browser. Please check the fields highlighted in red. These are great for making a lead stand out or tightening up a chunky rhythm sound.
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